Category Archives: Film

How the West Was Won (1962)

Posted on March 1, 2020 by Max West

How the West Was Won (1962) was a big budget, ‘5-part’ Western was co-directed by Henry Hathaway, John Ford, & George Marshall. Its all-star cast includes James Stewart, Henry Fonda, Karl Malden, Gregory Peck, George Peppard, Debbie Reynolds, Eli Wallach, … Continue reading →

Posted in Film | Comments Off on How the West Was Won (1962)

Lonely Are the Brave (1962)

Posted on February 9, 2020 by Max West

Of his own work in the movies, Lonely Are the Brave (1962) was Kirk Douglas’s favorite film, and for good reason. Douglas secured the rights to the film after reading the source novel, The Brave Cowboy (1956) by Edward Abbey, … Continue reading →

Posted in Film | Comments Off on Lonely Are the Brave (1962)

Uncut Gems (2019) and Jewish Neuroticism

Posted on January 10, 2020 by Max West

I have an essay on this recent Adam Sandler film over at The Occidental Observer. An excerpt: The phenomenon of Jewish neuroticism, while often joked about in Jewish humor (e.g., Woody Allen, Larry David) or elaborated upon in Jewish literature … Continue reading →

Posted in Film, Jewish | Comments Off on Uncut Gems (2019) and Jewish Neuroticism

Watchmen: S01E06

Posted on November 25, 2019 by Max West

I have been keeping up with this show, as a sociological curiosity. Last night’s E06 was over-the-top in terms of white hatred & fantasies of killing whites, even more so than E01. Some of my observations about E06 are below. … Continue reading →

Posted in Anti-White, Film | Comments Off on Watchmen: S01E06

Who Watches the Watchmen?

Posted on October 23, 2019 by Max West

As much as I feared this series, which departs significantly from the Alan Moore canon, would be weighed down by the usual PC nonsense, I never imagined its very first episode would revel in visceral anti-white sentiment and leftist Id-expression … Continue reading →

Posted in Film, Hollywood, Political Correctness | Comments Off on Who Watches the Watchmen?

Lenny (1974)

Posted on October 14, 2019 by Max West

SCORE: 4/5 Lenny (1974) is Bob Fosse’s well made, black and white biopic of Lenny Bruce (born Leonard Alfred Schneider), which is itself based on a play by Julian Barry. Dustin Hoffman does a terrific job channeling the manic energy … Continue reading →

Posted in Culture, Film, Jewish | Comments Off on Lenny (1974)

The Molly Maguires (1970)

Posted on September 6, 2019 by Max West

Directed by Martin Ritt, with great leads and a solid supporting cast. Based on the real-life, Irish immigrants who were an extension of Ireland’s secret-society ‘Molly Maguires’, this extension being present in Pennsylvania’s coal-mining towns of the 1870s. Pro-union and … Continue reading →

Posted in Film | Comments Off on The Molly Maguires (1970)

Joe (1970)

Posted on July 2, 2019 by Max West

This is a really bad movie. Given its premise, I wanted to like it, but it is just plain terrible, greatly impeded by its low budget and hackneyed direction. Joe (Peter Boyle, who while competent here, is unable to do … Continue reading →

Posted in Film, White Identity | Comments Off on Joe (1970)

Dragged Across Concrete (2019)

Posted on April 9, 2019 by Max West

S. Craig Zahler, who wrote/directed Bone Tomahawk (2015) & Brawl in Cell Block 99 (2017), is an important filmmaker for the Dissident Right to consider. I previously wrote an essay on Brawl at Counter-Currents, and my essay on Zahler’s new … Continue reading →

Posted in Film, White Identity | Comments Off on Dragged Across Concrete (2019)

Problematic Mule

Posted on December 16, 2018 by Max West

Meanwhile, over at Variety, Peter Debruge finds “The Mule”, Clint Eastwood’s latest film, “problematic”. There’s a word for people like Earl Stone, and that’s “problematic.” Most white Americans have a relative like Earl, who’s old enough to remember a time … Continue reading →

Posted in Film, Political Correctness | Comments Off on Problematic Mule