BBC: Civilization(s)

Today’s Prufrock email blast notes:

The BBC is bringing back Kenneth Clark’s Civilization. Unsurprisingly, it’s now called Civilizations, and the first episode has its share of egalitarian posturing. Otherwise, it’s not bad: “Here’s one of the fundamental differences between this and its unpluralised predecessor. When Clark says at the beginning that he doesn’t know what civilisation is (‘I don’t know. I can’t describe it in abstract terms — yet’), it’s just false modesty. When Simon Schama says the same thing, it’s post-modern intellectual cowardice. He doesn’t want to venture an opinion, for who would dare when we now know that all cultures and values have equal merit, and that to ‘privilege’ one over another is ‘elitist’?

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Marine Le Pen Charged For Posting ISIS Photos

We must never lose sight of the fact that today’s Left would love to have similar laws here in the United States:

PARIS (AP) — French prosecutors filed preliminary charges Thursday against far-right leader Marine Le Pen for tweeting brutal images of Islamic State violence, in a new blow to a woman long seen as the face of Europe’s anti-immigrant populism.

The prosecutor’s office in the Paris suburb of Nanterre said the charges were issued Thursday for “distribution of violent images.” If the case eventually reaches trial and she’s convicted, Le Pen could face up to three years in prison and 75,000 euros ($90,000) in fines.

Le Pen’s December 2015 tweets showed executions by IS extremists, including the killing of American reporter James Foley. She posted them in the wake of the November 2015 IS attacks on Paris, as she accused the government of not doing enough to protect France.

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Greg Johnson – White Extinction

Here is a nice 3 minute montage featuring Greg Johnson discussing the very real, bio-evolutionary dynamics of a looming white extinction.

https://www.youtube.com/watch?time_continue=180&v=KWSQxw6HUKU

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Axiomatic Conservatism vs. Holistic Conservatism

I recently read Michael Oakeschott’s very influential long form essay “Rationalism in Politics” (1947), which properly argues against the Axiomatic Rationalism underlying various ideologies from Marxism to Libertarianism. The attempt to build a system of governance from the ‘ground up’ vis-à-vis axiomatic principles (e.g., the non-aggression principle, etc.) represents mankind’s vanity with regard to Reason’s potential, and is acted out through a reductionist scientism itself guided by a progressive assumption about an ever-improving Enlightenment Reason unfolding over over time.

The entire approach works under a one-sided version of Reason that is based largely (and sometimes entirely) on abstraction. Completely ignored is the innate and necessary incompleteness of our attempts to understand both ourselves (e.g., Nagel and McGinn and other ‘New Mysterians’ in philosophy of mind) and society writ large, let alone the chimera of building a utopian form of government that will continuously optimize our navigating human follies. Practical reason, and a more Aristotelian approach as well as Hobbesian approach, is ignored.

Austin Bramwell’s “What Is Principled Conservatism?” is a superb piece on the shortcomings of what he calls Axiomatic Conservatism, a latent philosophical approach which is the dominant mode of conservatism in official GOP, Inc. circles.

The critics of this approach include figures such as (ironically) Hayek and (undestandably) Edmund Burke. Regarding Burke, Bramwell writes:

Perhaps more importantly, one may share axiomatic conservatives’ commitment to liberty yet reject their embrace of ideology. The eighteenth-century Whig politician Edmund Burke, for example, was an early and trenchant apologist for the movement towards American independence. Yet Burke denied that Americans were driven exclusively by libertarian ideals. “Abstract liberty,” he observed in his Speech on Conciliation with America, “like other mere abstractions, is not to be found” in America. Burke instead found Americans’ “fierce spirit of liberty” in their “temper and character.” That spirit of liberty, he claimed, was “stronger in the English colonies probably than in any other people of the earth.”

Americans’ liberal spirit did not, for Burke, descend on them in a miraculous Pentecost. Rather, it was a peculiar historical inheritance. Burke identified six causes of Americans’ unique character. First, Americans’ ancestors were not only Englishmen but Englishmen who emigrated when the English bias for freedom “was most predominant.” Second, American colonies were governed by popular (as opposed to proprietary) legislative assemblies. Third, their religion was not only Protestant but (except in the Southern colonies) dissenting Protestant, “which is the most adverse to all implicit submission of mind and opinion.”

Fourth, the Southern colonists’ practice of slavery taught them the “haughtiness of domination,” which rendered the spirit of liberty “invincible.” (To be clear, Burke made no apology for slavery. “I do not mean,” he wrote, “to commend the superior morality of [the Southern colonists’] sentiment, which has at least as much pride as virtue in it; but I cannot alter the nature of man.”) Fifth, Americans had a passion for the study of law, which made them ever resourceful in challenging the depredations of their rulers. Finally, Americans’ sheer remoteness from the seat of empire accustomed them to self-rule.

Burke’s view that liberty in America arose not from ideology or “abstract liberty” but from a fortuitous set of ethnic, religious, governmental, economic, educational, and geographical circumstances implied, negatively, that American liberty could not easily be replicated elsewhere. A quarter century after the Speech on Conciliation, Burke made that implication explicit in his most famous work. (Burke’s foes in the ensuing debate—the axiomatic Whigs of his day—accused him of jettisoning his principles, yet the consistency of the themes running through Burke’s work is unmistakable.) In Reflections on the Revolution in France, Burke affirmed his love for “a manly, moral, regulated liberty.” Yet Burke denied that he must praise liberty “as it stands stripped of every relation, in all the nakedness and solitude of metaphysical abstraction.” Liberty, he argued, must coexist with government, public enforcement, military command, taxation, morality, religion, property, order, and manners. Without these, Burke wrote, liberty is not a benefit but merely permits individuals to “do as they please.” The “manly, moral, regulated liberty” that Burke prized, and throughout his career defended, in short, has multiple, intersecting preconditions.

Axiomatic conservatives, by contrast, believe that liberty derives from ideology or systems of belief, which are easy to identify and easy to transmit. They assume away the context that, Burke thought, makes liberty possible in the first place. Burke, and his disciples up to the present day, hold that liberty is embedded within a particular institutional and sociological background. Just how fortuitous and singular one regards the Anglo-American and Western traditions of liberty will almost entirely determine whether one is an axiomatic, ideological conservative or instead a Burkean, classical conservative.

Bramwell’s essay also includes this most instructive passage on the 19th century sociologist (and de facto political theorist) William Graham Sumner, which is the most salient section of Bramwell’s essay:

… Sumner reviled ideological theories of liberty. The doctrine of natural rights he dismissed as a “complete and ruinous absurdity.” Abstract individual rights, he predicted, would be invoked not to defend liberty but to rationalize its downfall. If one man has a right to something, after all, then others have a duty to provide it; when government secures a right, it necessarily restricts the liberty of others. With this argument, Sumner presciently foresaw liberalism’s twentieth-century leftward turn.

But the deeper reason that Sumner opposed the doctrine of individual rights was not so much theoretical as empirical. According to Sumner, liberty arose not from laws, much less from propositions, but from the mores and habits of a particular people. “Rights originate in the mores,” he wrote, “and may remain there long before they can be formulated in philosophical propositions or in laws.” The liberal American society that Sumner prized was not formed by ideology but by centuries of organic development. “Rights are not antecedent to civilization,” for Sumner, but “are a product of civilization” and “to be real, they must be recognized in laws and provided for by institutions.”

… Rights are not natural but are socially embedded, just as Burke, to whom Sumner owed a large intellectual debt, had argued. (Lockean social contract theorists, by contrast, implausibly and myopically assume that men in the so-called state of nature possess sophisticated notions of contract found in some civilizations but not in others.) To defend liberty, one must defend the community that practices it.

It is Locke vs. (Hobbes + Aristotle).

This is what things boil down to.

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Young Harvey Weinstein: The Making of a Monster

Interesting (and all too stereotypical) backstory from a THR piece titled “Young Harvey Weinstein: The Making of a Monster”:

The ship was enormous and solid as a rock. Built in 1897 and capable of traveling at a speed of 13 knots, it was nearly 600 feet long and weighed 13,000 tons. But none of that must have mattered to Joe Weinstein as he boarded the SS Pretoria in Hamburg in late 1909 and set forth on the weekslong voyage to America. At 20, Joe (whose family took its name from the “Weinsteins” they peddled, crystals of potassium bitartrate used for cooking and cleaning) was well on his way to the New World, having journeyed 600 miles from his native Galicia in Eastern Europe to this German port, joining thousands of other Jews fleeing rampant anti-Semitism.

What happened upon Joe’s arrival in America is unknown, and he vanishes from the records until 1918, when he married another Galician Jew, Pauline Fischman, a petite 22-year-old who was working as a dress finisher. With Joe now employed as a fishmonger and Pauline in the laundry business, the couple hunkered down to a working-class life, producing 10 children in rapid succession (one died days after being born), including their fourth, Bob and Harvey’s father, Max.

Born in New York City in 1924, Max grew up in a family that was distant and remote, according to a 2011 piece Bob wrote for Vanity Fair. Bob marveled that his father could be such a family man, given how little love he got at home. In his mid-20s, on a visit to the Catskills after serving in World War II, he met a woman named Miriam Postal and asked if she’d like to dance. She turned him down flat, only to relent. They married in 1950 and remained together until Max’s death from cardiac arrest in 1976 at age 51.

Unlike the flamboyant Miriam, Max had a low-key personality, a trait inherited by Bob, though not Harvey. Peter Adler, a close childhood friend of Harvey’s, remembers Max as a quiet, reserved figure who preferred to stay on the sidelines, watching TV or reading.

Finding work as a diamond-cutter in New York’s jewelry district, Max moved with his wife into a two-bedroom, lower-middle-class apartment in the Electchester housing project, a series of squat brick buildings in Flushing, Queens, that had been erected during the 1950s for members of the electricians union. It wasn’t luxury, but it was safe.

Growing up here, Harvey (born in 1952) and Bob (born in 1954) have said they idolized their father. It was Max who introduced them to the movies, Max who taught them the rudiments of business, Max who sat them down one day and told them they must stick together through thick and thin, and Max who occasionally gave them a “butt-whipping” when they got out of hand…

And then we have the seminal figure in Harvey’s life (and Jewish archetype) named Uncle Shimmy:

If Max was a significant influence on the boys, their Uncle Shimmy was another.

Shimmy (Sallbarry Greenblatt) lived in the same tower at 96-50 160th St. Compact and pudgy, with a curving mustache and gray hair, he owned a shop that sold refrigerators, washing machines and electronics. A natural raconteur with a knack for exaggeration, he was also a skilled salesman. He struck Adler’s father, who adored him, as a New York hustler straight out of a Damon Runyon story, Adler recalls. If a customer asked about a fridge, Shimmy would shout to his assistant: “Hey, Murray! How much we gonna sell this for?” “Four hundred bucks,” Murray would yell back. Then Shimmy would turn to the customer with a conspiratorial wink. “Three hundred,” he’d whisper, and the customer would leave, happy, not realizing he’d been played.

“Uncle Shimmy was a bit of a shyster,” says Adler. “He had a supply store, and he ripped off black people. But Harvey really, really adored him. He would sit at Shimmy’s feet and listen to these stories. Harvey didn’t respect his dad that much. It wasn’t Max who was his real role model, it was Shimmy Greenblatt.”

Inspired by Shimmy, Harvey learned to wheel and deal, and also perhaps that honesty mattered less than success, a lesson reinforced during the summer after seventh grade. Obtaining some discarded Boy Scout uniforms, he and a friend bought hundreds of boxes of cookies wholesale and, wearing the uniforms, went door to door selling them for $1 a pop, more than twice the 39 cents they’d paid — pocketing the money themselves. “They each made 800 bucks that summer,” marvels Adler. “We thought it was funny and didn’t make much of it. But that was all Shimmy. That was his brain at work.”

And, lastly, what are we to make of the possible influence that Philip Roth’s famous novel Portnoy’s Complaint (which depicts a neurotic Jew’s mother-issues & sexual perversions) may have played in Harvey’s own penchant for jerking off in front of others?

Neither Shimmy nor Max had quite the impact of the boys’ mother, a polarizing figure who drew different reactions from people who knew her. Born in Brooklyn in 1926, Miriam was the daughter of a butter-and-egg merchant and worked as a secretary. Those who met her when she was a fixture at Miramax remember her being “very put-together,” in the words of one executive. “As a Jewish kid from Brooklyn, I felt I was meeting a relative. I always got the feeling Bob and Max loved Miriam, but were also annoyed by her.”

To their childhood friend Adler, she was a hovering, constant presence, “shrill and bossy,” endlessly drilling a sense of inadequacy into the boys. “She was overbearing,” he notes, “saying things like, ‘You’re fat. Go outside and play.'” As a teenager, he says, Harvey sometimes called her “Momma Portnoy,” a reference to the domineering matriarch in Philip Roth’s Portnoy’s Complaint, published in Harvey’s senior year of high school. One of the novel’s memorable scenes depicts the mother hectoring young Portnoy while he masturbates behind a bathroom door.

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Ferdinand (2017)

Is it just me or does the trailer for the animated film Ferdinand signal coded references to standard pro-diversity, pro-immigrant sentiments?

https://youtu.be/jyJgGsZo2wA

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MacDougald on “Fascists and Revolutionaries”

Over at American Affairs, millennial Park MacDougald has a very well-written piece titled “Fascists and Revolutionaries”:

Millennials, in short, encounter a world in which our culture’s mythologies are crumbling. The most dynamic political forces on both the left and the right today are those that can offer substitutes, connecting believers with creation myths, accounts of the origin of evil, and doctrines of salvation. They answer the permanent questions: What is good? How should we act and why? The great mid-century scholar of religion Mircea Eliade wrote in The Sacred and the Profane that, for religious man, the first step in inhabiting a world was discovering a sacred center that would bring coherence and definition to the chaos of homogeneous space, rendering the world not only legible but purposeful. The problem was to find an orientation in order to act…

What can break us out of that trap? For Eliade, the revelation capable of orienting us in space was a discovery of something pre-existing, not an invention. “Men are not free to choose the sacred site,” he wrote, “they only seek for it and find it by the help of mysterious signs.” Perhaps it is within the power of millennials to do without such mysteries, to consciously choose where we are headed. But how we get there is a mystery both to me and to Harris, who dismisses so many sites of meaning in secular life—political reform, ethical consumerism, personal virtue—as a form of play-acting. If the life we have been given really is so deeply disenchanted, perhaps we millennials truly are stuck—waiting for a sign.

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Black Girls Rock!: Owning Our Magic. Rocking Our Truth (2018)

Just published today! Empower yourself, girlfriend! And remember: there’s not the truth, there’s our truth! (The book’s cover photo has got to be the largest Afro hairstyle ever captured by a camera.)

From Amazon:

From the award-winning entrepreneur, culture leader, and creator of the BLACK GIRLS ROCK! movement comes an inspiring and beautifully designed book that pays tribute to the achievements and contributions of black women around the world.

Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of black women’s voices and experiences that will become a collector’s items for generations to come.

Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win. Erykah Badu, Toshi Reagon, Mickalane Thomas, Solange Knowles-Ferguson, and Rihanna offer insights on creativity and how they use it to stay in tune with their magic. Pioneering writers Rebecca Walker, Melissa Harris-Perry, and Joan Morgan speak on modern-day black feminist thought. Lupita Nyong’o, Susan Taylor, and Bethann Hardison affirm the true essence of holistic beauty. And Iyanla Vanzant reinforces Black Girl Magic in her powerful pledge. Through these and dozens of other unforgettable testimonies, Black Girls Rock! is an ode to black girl ambition, self-love, empowerment, and healing.

Pairing inspirational essays and affirmations with lush, newly commissioned and classic photography, Black Girls Rock!: Owning Our Magic and Rocking Our Truth is not only a one-of-a-kind celebration of the diversity, fortitude, and spirituality of black women but also a foundational text that will energize and empower every reader.

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NYT: 2/27/18

Featured at the top of NYT.com.

It “matters now more than ever.”

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The New Yorker: Exploring the Freedom of Being Multiple

The subject of the profile is (based on the picture) a blacke female. It’s The New Yorker, so the writer of the piece is naturally ***ish. (“A Startling Début Novel Explores the Freedom of Being Multiple” by Katy Waldman). The piece begins:

A recent interview with the author Akwaeke Emezi, whose début novel is called “Freshwater,” refers to certain autobiographical “realities” in which the book is rooted—realities that include Emezi’s “identity . . . as an ogbanje.” An ogbanje, Emezi has explained is “an Igbo spirit that’s born into a human body, a kind of malevolent trickster.” Its goal “is to torment the human mother by dying unexpectedly only to return in the next child and do it all over again.” We are all woven partially from labels, of course. Emezi, the article notes, is also “Nigerian,” “Black,” “trans,” and gender “non-binary.” But it is startling to see those designations laid matter-of-factly alongside a term of magic. “Freshwater” is wrought from that dissonance, insistent that the self, which is multiple, requires multiple frameworks in order to be understood…

Lest you doubt that the Cultural Left and the Dissident Right are increasingly speaking two, distinct, and incommensurate languages, how else does one makes sense of passages like the above? The irresponsible Derridean playfulness continues:

What impels us to sabotage our own interests, or to commit gratuitous cruelty? Freudian psychologists speculated about a wayward id. The movie “Inside Out” blamed our personified emotions. We have invented angels and devils; four distinct humors; a celestial zodiac. Between the covers of the DSM-V runs an entire gamut of pathology, from autism-spectrum disorder to trichotillomania. Igbo spirituality, Emezi radically suggests, has as much to offer as any of these schemas when it comes to decrypting human folly or transcendence. Ada’s story involves depression, loneliness, and the seductions of self-harm.

The piece ends with the usual Celebration of the Marginalized:

Emezi has described her own transitional surgeries as “a bridge across realities, a spirit customizing its vessel to reflect its nature.” Similarly, Ada pursues procedures that will mark her as “other,” neither male nor female, neither singular nor plural. She lets a “masked man take a knife lavishly to the flesh of her chest, mutilating her better and deeper.” The book becomes a study in dysphoria—not precisely the distress of being misgendered but the more nebulous pain of being imprisoned in a physical form, of losing your wraith-like ability to evade categorization.

And yet “to be named is to gain power,” the ogbanje point out. “Freshwater” is alive to the tension between the affirmation of owning a single identity and the freedom and mutability of being multiple. There is something self-defeating about trying to trace a self that is defined by indefinability; one achievement of Emezi’s book is to make that paradox feel generously fertile. Ada does not narrate many chapters, but, when she does, her voice is a fugue of the voices that have spoken before. She says, “I am a village full of faces and a compound full of bones, translucent thousands.”

Postmodernism is a leap into obfuscation and obliqueness, a nonsensical relativism masquerading as empathy, insight, and profundity.

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