PSU: “Let’s Talk About Diversity”

Although we read about it daily, there is no substitute for seeing PC insanity in action, such as this recent event (“Let’s Talk About Diversity”) at Portland State University, which focuses on the James Damore incident as a gateway to the issue. Thankfully, the entire panel is un-PC and is basically presenting a Critical Reasoning 101 mini-course.

Begin at the 8:18 marker to hear philosophy professor Peter Boghossian, himself a liberal but of the un-PC type, accurately quote from James Damore’s “infamous” memo. Then watch how, at the 20 min marker, your typical blue-haired SJW chicks exit the proceedings, sabotage the audio system, yell about “Nazis” and scream “F*ck the police!”

Boghossian then does a good job reprimanding the SJW’s totalitarian behavior and continues to confidently hold court for the rest of the proceedings. Evergreen State biologist Heather E. Heying provides solid presentations of how statistics works, what it means, etc.

SJW types begin their Q&A around the 57:30 marker. The two idiots between the 1:02:30 and 1:05:10 markers are hysterical. The self-proclaimed “male ballet dancer” at 1:09:00 is rather funny, as is the she-man beast at 1:19:30. And the final questioner (which starts at the 1:40:40 marker) is hilarious: an aged Gender Studies woman whines that the panel being seated ‘higher’ than the audience represents an undue power relationship which is “perpetuating the status quo and the hierarchy”.

What is truly astonishing is the sheer number of SJW freaks who dominate public forums on campus.

Posted in Academia, Cultural Marxism, Political Correctness | Comments Off on PSU: “Let’s Talk About Diversity”

TAC: Tucker Carlson Profile

In TAC, Alan Pell Crawford has a lengthy profile of TC (“Tucker Carlson: The Populist Paladin of Primetime”). I, for one, thank God that TC is at the 8pm slot on FNC. In all likelihood, he is the best we can hope for on mainstream TV. He takes things to the initial reaches of Citizenism (which I deem to be just to the right of Civic Nationalism), which, relatively speaking, is a good thing. The fact that Neocons like Max Boot and Bill Kristol despise him is, alone, worth the price of admission.

The things Carlson loves about his leafy Washington neighborhood—the safety, security, and sense of community—have been “utterly destroyed in these small towns,” he says. “Jobs have vanished. The standard of living has gone down. Even the life expectancy of people in these areas of America is going down. And this is the terrible part: No one in Washington cares. The middle class in this country is collapsing and the people who live where I live—who are part of permanent Washington and make policy—don’t even care.” This isn’t because they lack empathy, says Carlson, but because they are never touched by the problems faced by Americans who live in these towns. “My neighbors,” he says, “never have to deal with the problems caused by the policies they set for the rest of America.”…

As for the idea that “diversity is our strength,” Carlson lit into Sen. Lindsey Graham for saying that America is “an idea, not defined by its people.” This claim, Carlson said, might surprise the people who already live here, “with their actual families and towns and traditions and history and customs.” It might also come as a surprise that “they’re irrelevant to the success or failure of what they imagined was their country.” If diversity is our strength, it must follow that “the less we have in common somehow the stronger we are. Is that true? We better hope it’s true because we’re betting everything on it.”…

He likes his new neighbors—and the nearby dog park. “My neighbors are intelligent and thoughtful people,” he says, most of whom still have Obama stickers on their Priuses. “They think Trump is awful on immigration, and they don’t see how anyone could possibly view the issue any differently. But that’s because there is only one way that the issue touches them in their lives, and that is in terms of their household help. They worry about ‘Margarita who has been with our family for years and the kids love her and we just want to know that she will be protected.’ They aren’t cynical. They really care about the legal status of their household help. I get that. They just don’t see the issue in any larger social context.”

Posted in Civic Nationalism, MSM | Comments Off on TAC: Tucker Carlson Profile

They Need ‘They’

The writer of a piece in Aeon titled “We need the singular ‘they’ – and it won’t seem wrong for long” is:

  • Jewish? Check.
  • Feminist? Check.
  • Lives in NYC? Check.

Like the white and Jewish progressives who experienced tearful catharsis voting for the first black President in U.S. history, these pomo academics get thrills and great personal ego satisfaction at being on the forefront of re-engineering Culture:

A few years later, as a manuscript editor at the New York branch of Oxford University Press, I helped engineer the next contentious usage shift. Feminism was acquiring legitimacy (much like non-binary gender identities today), and feminists pushed for nonsexist language, including alternatives to ‘man’ and ‘he’ as generics. In 1974, the McGraw-Hill Book Company – to my knowledge the first publisher to tackle the nuts and bolts of accomplishing this change – created the 11-page document ‘Guidelines for Equal Treatment of the Sexes’.

One day, my boss handed me this guide. I was known as ‘the feminist’, and I imagine she saw me as a guinea pig to test how it would go over. In any case, I jumped on it. The workarounds that McGraw proposed to avoid man and he – make the verb plural, ‘reword to eliminate unnecessary gender pronouns’, use ‘he or she, her or his’ (though I rarely had the nerve to put the female pronoun first) – were hedged with cautions to avoid producing ‘an awkward or artificial construction’. So I did my utmost to introduce these changes without damaging my authors’ prose, but it was a stretch. Even to me, ‘he or she’ seemed awkward and downright weird. The responses from my recalcitrant (almost entirely male) authors ranged from bursts of fury, to erudite lectures on English usage and the importance of tradition, to kindly pointing out how much more felicitous was their original phrasing. Feminism was weird and outlandish, too, and to most of these academics didn’t seem important enough to justify mauling their prose. I was pushing these innovations on my own; there was no policy at Oxford, as at McGraw. I got away with it because despite being young, female and without a PhD, in their eyes I incarnated 500 years of literary authority.

Today, it’s hard to remember the degree of resistance that nonsexist language evoked at the time. A long excerpt from the McGraw guide that ran in The New York Times Magazine elicited anguished responses: ‘A conspiracy is afoot to reform society by purging the language … innocent children [are] to be cast adrift from the security of traditional roles’ through the machinations of ‘Orwellian editors’, warned one letter. The honorific Ms, which had been around since the turn of the century but spread particularly after the launch of Ms. magazine in 1971, met with resistance for years. Sonia Jaffe Robbins, a copyeditor, then copy chief, at The Village Voice between 1975 and 1986, recalls encountering resistance even at this Leftist publication, for example from a theatre critic who insisted on referring to actresses as ‘Miss’.

Now comes ‘they’, and I admit it’s a tough one. Paula Froke, the AP Stylebook lead editor, gives two reasons for embracing ‘they’: ‘recognition that the spoken language uses they as singular’ and ‘the need for a pronoun for people who don’t identify as a he or a she’. The first ‘they’, as in ‘Everyone can decide which personal pronoun best matches their identity’, is what people have been doing for centuries anyway; most of us already use it without thinking. But the second usage, which raises fundamental questions about identity, society and the nature of reality itself, has met furious resistance.

… Once a copyeditor, always a grammar nerd, and I confess that ‘Carey makes themself coffee every morning’ makes me wince. But I’m willing to wince for as long as it takes – most likely, not very long.

Ironically, it is They (virtue-signaling progressives) who most need ‘They’.

Posted in Culture Wars, Political Correctness, Postmodernism | Comments Off on They Need ‘They’

NYT: Child Worship, Pt. 31

As I have previously noted, it is downright creepy how the MSM (and the so-called ‘paper of record’) is engaging in a cultish form of child worship.

Posted in Culture Wars, Left, MSM, NYT | Comments Off on NYT: Child Worship, Pt. 31

Center for the Study of Women in Television and Film

It’s never enough.

From a piece in Variety actually titled “Hollywood Sexism Rules: Number of Female Protagonists Falls in 2017”:

Rey, Diana Prince, and Belle may have anchored some of the biggest box office hits of 2017, but they were the exception to the rule. Hollywood’s glass ceiling remained firmly in place as studios failed to back female-dominated movies last year, according to a new study by the Center for the Study of Women in Television and Film at San Diego State University.

Yes, there actually is an academic entity called the Center for the Study of Women in Television and Film.

In 2017, just 24% of protagonists in the 100 highest grossing films were women. That was a drop of five percentage points from 29% in 2016. The decline comes as a surprise given that the three most popular films last year, “Star Wars: The Last Jedi,” “Beauty and the Beast,” and “Wonder Woman,” all had female lead characters. “Wonder Woman” also happened to be the first major studio comic book movie about a female superhero and boasted a female director in Patty Jenkins. Other hit movies such as “Girls Trip,” “Fifty Shades Darker,” and “The Post” also offered meaty roles for women, and Oscar pundits noted that the best actress category in 2017 was filled with more worthy candidates than the lead actor race, a sign that things were improving.

So, the Center for the Study of Women in Television and Film is upset because women protagonists represent 24% of the year’s 100 highest grossing films, which is not the same thing as the the percentage of all 2017 films made in which a woman is the protagonist.

Perhaps the movie-going masses (which, the last time I checked, does include females) prefer to see males in the lead.

And yet, male characters continue to dominate the films in theaters. Indeed, the study found that moviegoers were more than twice as likely to see male characters on the big screen than female ones. There’s even a gender gap when it comes to who gets to open their mouth at the multiplexes. Seventy-nine percent of the top 100-grossing films had 10 or more male characters with speaking roles. In contrast, only 32% of the most popular films featured 10 or more female characters with lines to say.

Thankfully, however, some sort of Intersectional Diversity Ratio satisfied the Center for the Study of Women in Television and Film:

There was some good news when it comes to diversity. The percentages of female characters of color reached record levels in 2017 — the number of black women increased from 14% in 2016 to 16% in 2017; the number of Latinas more than doubled from 3% in 2016 to 7% in 2017, and the percentage of Asian women increased a percentage point to 7% in 2017.

So, are SJWs allowed to rest easy tonight or are they supposed to fret with continued anxiety?

Posted in Academia, Culture Wars, Film, Hollywood | Comments Off on Center for the Study of Women in Television and Film

David Bowie – Growing Up and I’m Fine (1973)

I just listened to Mick Ronson’s excellent solo album Slaughter on 10th Avenue (1974), which features a great song written by David Bowie called “Growing Up and I’m Fine”. Bowie apparently gifted the song to Ronson.

Bowie’s demo of the song is simply shimmering and features that classic, descending chord structure chorus Bowie used so well during the period (“Life On Mars”, “All The Young Dudes”, etc.)

Now, I got a little of Veronica, love
The way she is checking me out is enough
Somebody’s messing my brain, growing pains
Ooh, I got a little of Veronica, love
The way she is checking me out is enough
I’m glad to say that she’s mine, right down the line
Growing up and I’m fine…

Mick Ronson’s version is also very good. With a song this good, it’s hard to do a bad version.

https://www.youtube.com/watch?v=Jz0sF9ZDUJY

Posted in Music | Comments Off on David Bowie – Growing Up and I’m Fine (1973)

Italian Antifa Violently Attack Forza Nuova Official

On the streets of Palermo, Italian Antifa scum (wearing their obligatory black balaclavas) filmed themselves savagely attacking Massimo Ursino, the Sicilian Secretary of the rightwing Italian party Forza Nuova. They also bound him up with gaffer tape.

The poor man’s screams reflect his understandable fear that death might be coming at any second.

The War is Coming.

The embedded video below is acting wacky, so here is a link to another news story containing the video.

Posted in Alt-Right, Europe | Comments Off on Italian Antifa Violently Attack Forza Nuova Official

Germany: AfD Set to Embrace PEGIDA

Good news from Reuters:

BERLIN (Reuters) – A leader of the nationalist Alternative for Germany (AfD) is pushing to overturn the party’s ban on members joining rallies by the anti-Islam PEGIDA movement – another sign of the rightward shift of Germany’s budding main opposition party.

Posted in Europe, Immigration, White Identity | Comments Off on Germany: AfD Set to Embrace PEGIDA

Heathers (2017)

The SJW jihad to turn every new TV show into a simultaneous anti-white pogrom & ‘Coalition of the Fringes’ lovefest marches on… except this one may have backfired (?):

Heathers (2017) turns the premise of Heathers (1988) on its (Diet Coke) head. The popular trio of Heathers is now no longer made up of thin, privileged, white blonde girls, but a black lesbian Heather, a genderqueer Heather, and a “body-positive” Heather (“Fat kids can be popular?” is a line in the trailer).

This change was met with scorn from much of the left, who noted that turning marginalised people into the popular, powerful and privileged was not only 1) not true to the lived experiences of many minorities, but also 2) intensely problematic when the premise of the film is that the powerful deserve to be brutally murdered.

This idea, however, has become unsurprisingly popular with those who identify as “anti-social justice warriors”, Trump supporters, and conservatives.

What’s interesting here is how the show’s creators may have jumped the proverbial shark.

Jason Micallef, the series showrunner, has explained that actually, the Heathers in the original Heathers aren’t villains, so the new Heathers aren’t either. “In the original film, the Heathers were the ones I always loved, and it’s the same with the series. The Heathers are the aspirational characters,” he told Entertainment Weekly.

Unfortunately, barely anyone else read the original Heathers in this way, and the right wing doesn’t see the new show this way either. “They’re the bad guys,” tweeted Cheong of the series’ “SJW” Heathers, rendering Micallef’s intent immediately irrelevant…

On Twitter, the creators deny that the show is “a power fantasy about a straight white couple murdering minorities”, cryptically stating that “you’ll get it when you watch it.” Presumably, then, there’s a twist. Micallef has even tweeted that the teachers in the show get guns and it “doesn’t end well” in episode 8, which may lose the show some conservative American fans (Trump is currently suggesting that teachers should be armed to protect students from mass shooters).

Posted in Culture Wars, Political Correctness, TV | Comments Off on Heathers (2017)

Newsweek Retracts ‘Alt-Right Bot Took Down Franken’ Meme

After spreading more layers of fake news, and well after their meme has spread across social media, Newsweek issues “Retracted: How an Alt-Right Bot Network Took Down Al Franken”:

Newsweek has retracted its story about a conservative botnet effort to force the resignation of Senator Al Franken.

The initial report was based on research conducted by Unhack The Vote, a group examining outside influence in U.S. elections and politics. It alleged that a “decidedly alt-right” botnet “weaponized” anti-Franken stories and amplified pressure on Franken to resign after allegations of sexual misconduct. Newsweek was unable to independently verify their claims after a further review of their work.

Newsweek regrets the error.

Something tells me their staff doesn’t really regret the error.

Prima facia reasoning would have revealed that ‘Alt Right Bots’ could not have explained how a sizable majority of Democratic Senators all called for Franken to resign. No, this was the laziest of journalism, with zero critical review, done by one of the largest and most ‘respectable’ news publications. IOW, something that is all too typical these days.

Posted in Alt-Right, MSM | Comments Off on Newsweek Retracts ‘Alt-Right Bot Took Down Franken’ Meme